Thursday 26 February 2009

"Berty"

A writing exercise for my screenwriting class, exploring reversed P.O.Vs. I wrote about a figure from my childhood. Imagine I'm six or seven in the first part.

Albert is ok I think. He lives next door in a grand old house, all alone but with lots of things. He’s always visiting us. He sits in my Da’s waiting room even though he doesn’t have a dog or a cat. He sits there for ages and talks to everyone like their friend. My Dad tells him to come back later but Albert only goes when he gets hungry or tired. He talks really loudly and for a really long time. He is always talking “with authority” about strange things like wooden tables and plates. He showed me these great tin solders that were really small and told me that I could have them one day when he’s old. He told me that he would take me to Italy one day too. It’s far away from Daddy so I just want the soldiers but mum says polite girls are more memorable, so I just smile when he starts to tell me things like that. Albert can pull some funny faces, he always has one eye half closed like he’s looking through a keyhole. I think I like Albert but he can smell like my mum’s diner parties after they’re over. It makes your nose wrinkle; I don’t like that at all. The waiting room smells like that too when he’s visits, even after he’s gone. He and Dad smoke cigars together when we visit him but they don’t talk much. Dad is always getting our coats. Albert makes my mum laugh like somebody’s tickling her. Mum likes Albert so he’s ok by me. We call him Uncle Albert, which he likes.

* * * * *

Ah! Such a joy to see myself reborn as a child, albeit with gender perversely switched. This precocious whippet has the looks of her mother and the charm of my own true self, thanks to my formative input since birth. God knows what the father has to offer – apparently he enjoys ironing. All the same, there’s promise for this one or at least I’ve decided to extend my hand to that end. As soon as I saw the fat little thing in the hospital blanket I knew this was my opportunity to start over. She’s at that difficult stage now when she asks questions that don’t add up to a hill of beans but education in the arts and classics should steer her on her way. When she becomes a woman at 16 I’ll take her to Venice where we’ll consider the painterly light, gaze enraptured at Rafael’s alter pieces and quash Bellinis like there’s no tomorrow worth waking for. It will be magnificent. There’s a glass eye maker there who hand paints his work in exquisite detail and has provided for numerous cultural figures  - you’d think of them all very differently if his work wasn’t so convincingly rendered. Florence may take a shine to Uncle Albert once he’s restored. She should do. By then, I will have invested years of hard work making her the finest little sophisticate in the northern hemisphere.

(My Dad and Albert suffering each other's company)

Wednesday 25 February 2009

Favorite song?

the past is a grotesque animal and in it's eyes you see 
how completely wrong you can be 
the sun is out it melts the snow that fell yesterday 
makes you wonder why it bothered 
i fell in love with the first cute girl that i met 
who could appreciate george bataille 
standing at swedish festival discussing the 'story of the eye' 
it's so embarrassing to need someone like i do you 
how can i explain i need you here and not here too 
I'm flunking out i'm gone i'm just gone 
but at least i author my own disaster 
performance breakdown and i don't want to hear it 
i'm just not available things could be different but they're not 
the mousy girl screams violence violence 
she gets hysterical cause they're both so mean and it's my favorite scene 
but the cruelty's so predictable it makes you sad on the stage 
though our love project has so much potential
but it's like we weren't made for this world 
though i wouldn't really want to meet someone who was 
do i have to scream in your face? 
i've been dodging lamps and vegetables 
throw it all in my face i don't care 
let's just have some fun let's tear this shit apart 
let's tear the fucking house apart 
let's tear our fucking bodies apart but let's just have some fun 
somehow you've red rovered the gestapo circling my heart 
and nothing can defeat you no death no ugly world 
you've lived so brightly you've altered everything 
i find myself searching for old selves 
while speeding forward through the plate glass of maturing cells 
i've played the unraveler the parhelion 
but even Apocalypse is fleeting there's no death no ugly world 
sometimes i wonder if you're mythologizing me like i do you 
we want our film to be beautiful not realistic
perceive me in the radiance of terror dreams 
and you can betray me but teach me something wonderful 
crown my head crowd my head with your lilting effects 
project your fears on to me
i need to view them see there's nothing to them 
i promise you there's nothing to them 
i'm so touched by your goodness you make me feel so criminal 
how do you keep it together? i'm all all unraveled 
but you know no matter where we are 
we're always touching by underground wires 
i've explored you with the detachment of an analyst 
but most nights we've raided the same kingdoms 
and none of our secrets are physical now

Tuesday 24 February 2009

And I call myself a film student!

I missed all this but am pleased the predictable proceeding were given an injection of genuine show-biz by the dashing all-singing-all-dancing Jackperson. 
I'm pleased he's suddenly been discovered after years of quietly being an old fashioned hunk, (I'm convinced a lot of Hollywood films need a square jaw in the lead to be any good.)  No doubt it's all down to his outrageous bathing scene in "Australia". Haven't seen anything quite like that over here yet but I'm keeping my eyes open, trust me. 

Saturday 21 February 2009

Get the cake out before we make out


This week ended with a mini festival fund raiser for a film being made by a friend of one of the kids on my course. I set out with N with nothing more that a memorized Google map. By the time we'd made it across to the right side of town it was about 10.40pm and the final tram stop was awash with tanked up teenagers, gagging to fight/fuck outside a McDonalds. We narrowly avoided a scene of some descrpition by scuttling away into a darkened suburban side street.
After a few blocks that felt increasing isolated from the rest of Melbourne, I began to wonder if we were on the right track at all. Suddenly, we can upon a Russian (maybe) orthodox church, lit up like a beacon for should-be repenters questioning the power of the church. There were a number of balloon animals make from condoms littering our path by this time and a faint syncopated drum machine was pulsing somewhere nearby. We took this as an indication we were getting warmer and followed the contraceptive trail until we met a crowd of bikes and raculas laughter at the mouth of what looked to be a back yard. Posters, wine cups and people in red ring master hats indicated we were in the right place.
Apparently the home of 10 artists, the event was spread oput across a shed, a tent, a yurt, a camp fire and some number of trees by the looks of things at certain points in the evening. I tragically forgot to pack my camera so you'll have to take my word for it when I say the place had an otherworldly electricity.
The main event was an ace music line up including Casionova, (the website explains his shtick), who preformed the best although prehaps only ode to Engelbert Humperdinck, the delectable Pash & our mate's band Suzanne Grae and the Katies, (we luff you Anna!) who peddled fine cartoon sleeze grooves accompanied by cup cake ladies. I will be wearing my band shirt with great affection once I get the wine stains out.

I'm the douche texting on the mobile phone when it pans to the left - rock n' roll!!!!!

****

I think I have a new favorite restaurant. It stocks hundreds of beers, brings your bill inside children's story books and is decorated in refined folksy style, sort of Paris meets the Enchanted Woods, all murals, patterned fabric and plastic doilies. Most importantly, it serves food that induces a state of grace and copious swoons. If anyone took me on a date there, I'd be highly suggestible...

Sunday 15 February 2009

Take a peek inside the madness kids!

If you could, you'd have a portrait of yourself like that, wouldn't you? Even if it just went in the guest bedroom. 

(http://www.guardian.co.uk/music/gallery/2009/feb/15/michael-jackson-auction?picture=343232869)

Friday 13 February 2009

Resurfacing


There are lots of Kubrick fans on my course at least

It's taken me this long to hook up the internet over here so a delayed greeting from Melbourne to you & yours. The air around the northern suburb I'm living in is hazy today from the bush fires that are still burning. It's been a bit like hell on earth in Victoria. I hope the worst bush fire's in the country's history aren't some sort of ill omen for my new life down under. Enough people have died and lost everything already without them adopting some new cryptic resonance. I walked though Federation Square full of stunned onlookers, watching dumbstruck as the fire's aftermath played on the massive screen.  

I've been a bit removed from everything for the past week. It's taken that long to sort out my accommodation and all the paperwork and red tape at VCA.

I'm a lot happier today, typing to you from a blood orange red room, three stories up at Le Student 8. The first room they had me in had walls the colour of a damp sand castle and just about every feature of the room had been broken by the previous occupant. The bugger had daintily arranged things so I thought all was well but that I had the touch of death when I started to move around the room. There was a gargantuan moth flattened in the roller-blind and the TV has probably finally blown up by now.
The back breaking straw of it all was the huge gaggle of Arabic guys running riot on our floor each morning and night. They were all in separate single rooms but spent literally hours knocking on each other's doors in frustratingly irregular rhythms and shouting through the walls with each other. They treated the corridor like an extension of their rooms and to top it all, my door directly faced the room of one of the most vocal of the gang. Numerous aggressive pleas for them to "shut the fuck up" where made by my sleep deprived neighbors, to little effect. Imagining four months of more of the same made me unhinged so I made the case for a move to the reception staff and have been enjoying blissful peace and quite ever since. I left a note under the offenders' doors before I left their floor once and for all that read: "NOISY BASTARDS BEWARE" I have no idea what I thought the message would achieve but it certainly made me feel better.

This week was all about orientation at the film school. Everyone is still a bit wary of each other, polite and cheerful but stilted. I don't think we quite know how to feel about being made to work together so intensely for the next 3 years. The other faculties of VCA return this week so there will be some other faces to alleviate the perceived pressure of it all. My classes are 9.30am to 5.30pm Monday to Friday, plus whatever shoots/editing sessions we have on the weekend. I said I wanted to get stuck in to a degree...I fear there is no other option with this one!


Happy Valentines, even though today is depressing for 2/3 of people in the world (rough estimate). The only ones who really feel the love today (I'm there already), are the companies selling us eerily perfect roses and novelty shit. Why on earth should there be a day set aside to remind people to express their affections? Here I am thinking romance is all about imagination and spontaneity. I must be old fashioned.

Monday 2 February 2009

Good bye ol' Blighty!


Things I will miss about England:
  1. The magazines. Wire, Plan B, The Idler, The Week, Sight & Sound,  The Chap, Cabinet... too many to actually read/subscribe to, long term. They're my most expensive habit so maybe it's good to put some distance between us. God knows I'll cave at some stage and buy the issues at inflated import prices. As my methadone, DUKE is a pretty good Aussie offering.
  2. British TV comedy and documentaries- well, the iplayer and the like saves me the actual misery of missing quality things like BBC4's Style season and new Star Stories/Fonejacker episodes. I never really watch TV when I'm away from home - life get's more interesting- but I do take for granted how decent British TV still is. I only had to see how awful Italian game shows were to start feelings pangs of homesickness. To be fair, Oz does have the amazing Kath & Kim but the rest of it is pretty dire. They appear to really embrace American pop culture on their screens and lack persuasive alternatives. Maybe unseen cult hits await me, who knows?
  3. Fish & Chips!(And mushy peas!) It's the only thing that makes me feel patriotic. 
  4. Shitty seaside resorts. All the beaches are the real McCoy in Australia. I'm sure I'll appreciate their clean sand and surd but the melancholic perversity of places like Cleethorpes and Skegness will be missed. They clutterer themselves with lights and garish seaside attractions to try and distract from the subzero temperature of the sea, (or estuary, as the case may be) and attempt to engineer happiness through high sugar/fat foods that makes for especially aggressive seagulls. Some people find their appearance desperate and depressing. I see it as determination. 
Otherwise, good riddance to most of it. It goes without saying that my friends & parents will be missed but even they'd agree, reuniting in another country would be preferable! I sort of feel like a rat jumping ship right now. Here's hoping the snow, (bloody British weather!), doesn't delay my escape on tomorrow's flight.